News 12.02.2019‘the lost identity. the face, colección olorVISUAL’ on the Media24.11.2018We collaborate in a new edition of BARCELONA GALLERY WEEKEND24.11.2018We collaborate in a new edition of BARCELONA GALLERY WEEKEND26.09.2018We collaborate in a new edition of BARCELONA GALLERY WEEKEND19.07.2018The fragrance of images – Works from colección olorVISUAL23.05.2018“The need for the infinite. Monochromes in colección olorVISUAL’ in EXPRESSAN05.05.2018“The need for the infinite. Monochromes in colección olorVISUAL’ in Correo de Andalucía20.03.2018‘The need for the infinite. Monochromes in colección olorVISUAL’ in Diario de Sevilla13.03.2018New exhibition: ‘the need for the infinite. Monochromes in colección olorVISUAL’’11.05.2017We collaborate with a new edition of LOOP11.05.2017New exhibition: ‘smell of Málaga’20.12.2016Our 2016 in Pictures18.11.2016GAC 2016 Awards- IX Nit del Galerisme09.11.2016‘Hipocamps’ on the Media09.11.2016‘Reproductibilitat 2.2. colección olorVISUAL’ on the Media23.10.2016Activities around the exhibition ‘Reproductibilitat 2.2 colección olorVISUAL’30.07.2016Autumn Exhibitions21.02.2016Will we see you at JustMAD?07.02.2016We are collaborating with Setba Jove again21.02.2016‘The Art of Collecting’ on the Media09.01.2016Forthcoming exhibition: ‘The Art of Collecting’22.12.2015Our 2015 in pictures21.09.2015Final days of SINESTESIA/SYNAESTHESIA and virtual tour24.07.2015Programa de mediación para ‘SINESTESIA’24.07.2015‘SINESTESIA. colección olorVISUAL’ en los medios29.06.2015Próxima exposición: ‘SINESTESIA. colección olorVISUAL’28.10.2014Últimos días de «¿A qué huele una exposición?»24.10.2014Ya están en marcha las actividades en torno a la exposición «Olor de Cerdanyola» 09.09.2014We open Smell of Cerdanyola 08.07.2014WE OPEN: What is the smell of an exhibition?10.06.2014Residence at fabLAB Asturias26.05.2014olfactory mini-screening. Chocolate Birds26.05.2014LOOP BARCELONA and collection olorVISUAL presents20.05.2014Nasevo and the Smells of Barcelona07.05.2014Nasevo y los olores de Barcelona03.04.2014Hugo Martínez-Tormo is awarded grant of LABoral and olorVISUAL19.03.2014Hugo Fontela, Premio Príncipe de Girona de Artes y Letras22.01.2014LABoral and olorVISUAL Announce a Production Grant10.12.2013Concert of Painting04.11.2013cluster #5 – Albert Merino25.06.2013olorVISUAL collection with VIDEOAKT05.06.2013Smell of Cadaqués.15.05.2013mini-screening olfativo30.01.2013GAC Prizes 2013 – VI Night of Galleries14.07.2012olorVISUAL in the Kunsthalle zu Kiel06.06.2012ÆTHĒR14.05.2012olorVisual in the Screen Barcelona festival01.03.2012Tendencias del Mercado del Arte00.01.2012La balsa de la Medusa01.07.2011entrevista a Ernesto Ventós01.05.2011¿cómo se crea un perfume?01.05.2011¿cómo se fabrica un perfume?01.05.2011exposición ‘olor.color’: entrevista a la comisaria01.05.2011exposición ‘olor. color’: inauguración01.05.2011exposición ‘olor. color’: visita guiada10.10.2011colección olorVISUAL en Microwave08.05.2011olor. color. química, arte y pedagogía03.03.2011arte esencial04.02.2009impacto!


  • ÆTHĒR Alfonso Borragán Æthēr is the new project that the London-based artist from Santander Alfonso Borragán will present this Friday 8 June at the Slade School of Fine Art, University of London (ULC), on the occasion of his graduation from the Masters course he has been studying over the last two years. The opening will consist of a collective action in which the public will become recipients, bearers and transmitters of the work. The exhibition, which will run until Friday 15 June, is articulated around the traces and recordings of the action and conceived as a ceremony or banquet for the ingesting of the invisible — a journey through the void, with the aid of aromas and weightless gaseous ‘food’. For the menu that will be served at the opening, the artist has worked with the chefs José Manuel de Dios, Miguel Sierra and Jesús Sánchez, while the aromas have been created by the olorVISUAL Collection. The concept of ‘ether’ that gives the exhibition its title refers symbolically to the exploration of the invisible and the researching of the sensory experience of the body in the space that contains it. Those attending the opening will become participants in the ceremony as bearers of the memory of the work. The project is articulated around three elements: a table at which the sensorial journey is initiated with the inhalation of various aromas; two large aerostatic balloons whose particular function is to change the pitch of the voice, making the participants performers in a unique improvised concert, and edible ‘bombs’ filled with different gases. Finally, the documentation of this event will consist in the capturing and compressing of the communal air of the room in a meteorite that will contain the memory of the day. With this project, the artist intends to gauge our other senses and enhance the artistic experience and sensory knowledge beyond the strictly visual. Essentially, the aim is to subvert the monopoly of vision as the privileged sense of modernity, with its consequent saturation and iconic manipulation, and reflect on the immaterial, the indefinable and the all but immeasurable by means of a concept such as ether, loaded with symbolic implications. As in most of his recent interventions, Alfonso Borragán has conceived a project in which the processual and the ephemeral impose themselves on any kind of objectual evidence, exploring the boundaries between interactive action and happening, and emphasizing the dimension of art as a participatory experience immersed in a given context. The closest precedents to this new work are the ritual actions Spherical Dinner and Fosfofagia, in which people ingested spherical and fluorescent foods; Ovomeal, a Sunday lunch with ostrich eggs converted into pinhole cameras, or Lemon Prints, a series of invisible serigraphs printed with lemon juice. He has also carried out everyday and ritual actions in natural settings — walking upstream, surviving on a beach, jumping off cliffs, playing with water, making a pilgrimage to the north, building houses on the beach or in the treetops — and projects close to the strategies of Land Art, such as the construction of cameras obscuras with materials found in nature and converted into tree observatories, as well as sand, ceramic, ice and solar cameras. Alfonso Borragán (Santander, 1983) has a degree in Fine Arts from the University of Barcelona. He completed his studies with an Masters at the Slade School of Fine Art in London and has taken part in workshops with artists such as Xavier Idoate, Theo Jansen, Antoni Miralda and Antoni Muntadas. He has shown his work at solo and group exhibitions and public events in contexts such as the Fundación Marcelino Botín’s Villa Iris (2008), the Bienal de Arte Efímero in Granada (2009), Bòlit Centre d’Art Contemporani in Girona (2010), the Demolden Video Project (2011), the International Festival of Video Art in Espacio Menos Uno in Madrid (2011) or the tunnels of LABoral in Gijón, Asturias (2011). He has also created and collaborated on projects in Portugal, UK, Austria and Germany. Finally, it is important to note his works as a teacher, giving seminars and running workshops at institutions such as the Aula de Imagen y Sonido at the Universidad de Cantabria or the Institut d’Estudis Fotogràfics de Catalunya. Marta Mantecón EXHIBITION DATA: Title: Æthēr Artist: Alfonso Borragán Dates: From 8 to 15 June 2012 Venue: Slade School of Fine Art (UCL), London Times: Friday 8 June: from 6.00 a 9.00 p.m. Saturday 9 and Sunday 10 June: from 10.00 a.m. to 5.00 p.m. From Monday 11 to Thursday 14 June: from 10.00 a.m. to 8.00 p.m.