- the fragrance of images (touring exhibition)
January - May 2019
- the lost identity. the face, colección olorVISUAL
September 2018 - January 2019
- the fragrance of images
March - May 2018
- the need for the infinite. Monochromes in colección olorVISUAL
January - May 2018
- electric and Distant. colección olorVISUAL Contemporary Photography
May - July 2017
- smell of Málaga. Olfactory Perceptions of the colección olorVISUAL
October 2016 - January 2017
- reproductibilitat 2.2. colección olorVISUAL
October 2016 - January 2017
- hipocamps
September - October 2016
- Smell Of Alella Vines
January - April 2016
- the Art of Collecting: Ernesto Ventós. colección olorVISUAL
July - September 2015
- SINESTESIA. colección olorVISUAL
Septembrer - December 2014
- smell of Cerdanyola. Olfactory Perceptions of the colección olorVISUAL
July - October 2014
- what is the smell of an exhibition? A selection of works the olorVISUAL collection
May 2014
- olfactory mini-screening. Chocolate Birds
June - October 2013
- smell of Cadaqués. Olfactory perceptions of the olorVISUAL collection
May 2013
- mini-screening olfativo
May - September 2011
- Smell colour. Chemistry, art and education
May 2012
- screening olfactory
October 2011
- olorVISUAL en Microwave
April - May 2011
- essential art.
February - April 2009
- IMPACT!
January - February 2006
- esencias11
June - September 2005
- essències10
November - December 2004
- esencias9
March - May 2004
- esencias8
June - July 2003
- esencias7
December 2001 - February 2002
- ikus usaina6
February - April 1999
- esencias5
October - November 1998
- esencias4
Abril-Junio 1998
- essències3
Mayo 1997
- essències2
October 1996 - January 1997
- essències
olorVISUAL en Microwave
The collection Olor Visual (Visual Smell) is formed by the olfactory emotions that a work of art provokes to the collector, thus providing a different exploration of contemporary art.
Created 34 years ago now by the perfumer Ernesto Ventós, the collection was born out of the will to educate us in our most intimate –and forgotten- sense: smell.
Due to the complexity of the idea, the beginning of the collection was not an easy endeavour, as the foundation is that the piece of art transmits a sensation that evokes an olfactory experience to the collector. Consequently, the first acquisitions were commissions of pieces that created equivalencies between their memories and the colours of the work, accompanied always by a written text by the artist. Nowadays, in most of the cases the piece is chosen under the premise “this work smells”, although the previous methodology is still maintained.
In general terms, the artist has only developed the senses of sight and touch, leaving aside the sense of smell, probably because it is the most difficult to represent and because the olfactory sensibility in our cultural system is practically ignored and very little developed. But usually colours evoke sensations, olfactory memories -without doubt subjective memories. When an artist creates a work, his composition is not based in one sensation but in the memory of several sensations. Art exists to stimulate our spirit and defy our ways to perceive creative expression. The Olor Visual Collection exists to stimulate out artistic and olfactory spirit.
Although invisible, smell impregnates memory: just as it emanates from its interior, it seems to emerge from the inside of objects… This is how the collector perceives it and under this principle the collection is formed.
Hong Kong. China
October 2011