Exhibitions February - April 2019
- the fragrance of images (touring exhibition)

January - May 2019
- the lost identity. the face, colección olorVISUAL

September 2018 - January 2019
- the fragrance of images

March - May 2018
- the need for the infinite. Monochromes in colección olorVISUAL

January - May 2018
- electric and Distant. colección olorVISUAL Contemporary Photography

May - July 2017
- smell of Málaga. Olfactory Perceptions of the colección olorVISUAL

October 2016 - January 2017
- reproductibilitat 2.2. colección olorVISUAL

October 2016 - January 2017
- hipocamps

September - October 2016
- Smell Of Alella Vines

January - April 2016
- the Art of Collecting: Ernesto Ventós. colección olorVISUAL

July - September 2015
- SINESTESIA. colección olorVISUAL

Septembrer - December 2014
- smell of Cerdanyola. Olfactory Perceptions of the colección olorVISUAL

July - October 2014
- what is the smell of an exhibition? A selection of works the olorVISUAL collection

May 2014
- olfactory mini-screening. Chocolate Birds

June - October 2013
- smell of Cadaqués. Olfactory perceptions of the olorVISUAL collection

May 2013
- mini-screening olfativo

May - September 2011
- Smell colour. Chemistry, art and education

May 2012
- screening olfactory

October 2011
- olorVISUAL en Microwave

April - May 2011
- essential art.

February - April 2009
- IMPACT!

January - February 2006
- esencias11

June - September 2005
- essències10

November - December 2004
- esencias9

March - May 2004
- esencias8

June - July 2003
- esencias7

December 2001 - February 2002
- ikus usaina6

February - April 1999
- esencias5

October - November 1998
- esencias4

Abril-Junio 1998
- essències3

Mayo 1997
- essències2

October 1996 - January 1997
- essències

the lost identity. the face, colección olorVISUAL

  • The curatorial project Lost Identity. The face in colección olorVISUAL – a tour of more than forty works by artists from this country and beyond and represent a variety of disciplines, chronologies and styles – is articulated around the concepts of memory, concealment and dissolution, in an itinerary that unfolds in a large mirror and that reflects back at us the multiple faces of the contemporary human subject. As Houellebecq has pointed out: ‘We have tried in effect to replace the idea of God, but we have not found anything that satisfies us. I insist: it is not a shortcoming it is incompetence.[i]

    The face, as the saying goes, is the mirror of the soul, a reflection of our deepest and most authentic self. It is the manifestation of what we are, although sometimes we modify it to a greater or lesser extent. Nevertheless, there are studies that contradict the old saw maxim and turn it inside out, affirming that it is the face which is reflected in the soul, given that brain and face are directly connected, and if we modify our appearance, our soul assumes the changes we make.

    Natàlia Chocarro – Cristina Agàpito

    [i] Sanchis, I. ‘No me pregunto más de lo que hace un perro’, ‘La contra’ section, La Vanguardia newspaper, Barcelona, 3 October 2012.

  • The seat
    Can Mario - Fundación Vila Casas - Palafrugell. Girona
  • Dates
    January - May 2019
  • Catalogue Link
  • Works -
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